Abstract
With a mix of two patently American film genres - film noir and the western - David Cronenberg’s critically acclaimed A History of Violence (2005) sets up a group of oppositions through the story of a man who leaves a life of crime and violence behind to assume a new identity, start a family, and settle down in the quiet town of Millbrook, Indiana. The oppositions between gangster thug, super-killer and good citizen, family-man are paralleled in another opposition particularly typical to the ...
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