Abstract
The British seismologist John Milne (1850–1913) is a dominant and celebrated figure in historical accounts of seismology. In this paper I use evidence from seismographs preserved in the collections of the Science Museum Group to reconsider his contribution, particularly to the progress of international collaboration in seismology. These instruments were installed at Eskdalemuir Observatory in Dumfriesshire, Scotland between 1908 and 1925; not only were they situated far from Milne’s private observatory on the Isle of Wight, but they represented examples of Russian, Japanese and German seismograph design as well as Milne’s own. No other site in Britain boasted such an international suite of earthquake instruments. Together, they reveal an alternative vantage-point from which to view his influence. By attending closely to the instruments’ provenance, I show how the collection can be a powerful tool for decentring the hagiography that surrounds the so-called ‘Father of Modern Seismology’.
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