Seeing Queerly: Looking for Lesbian Presence and Absence in United States Visual Art, 1890 to 1950

Abstract

The biographies of some U.S. women artists who developed professional careers between 1890 and 1950 reveal clues that suggest lesbian same-sex affections, but their works usually focus on the outside world rather than recognizably “lesbian” iconographies. Failure to acknowledge this distinction has led to a silencing that transforms what was present in life to an absence from history. Closer analysis from a queerly curious positioning can reinterpret coded hints, subtle choices, and what might seem absent or invisible to the heteronormative eye. This article suggests new possibilities for discerning lesbian presence and resisting absence given extant historical and visual evidence.