Abstract
This introduction to the differences dossier on Margarethe von Trotta’s film Hannah Arendt follows three registers simultaneously: the presentation and implied argument of the film, its foundation in Arendt’s 1963 articles and book Eichmann in Jerusalem: A Report on the Banality of Evil, and the foci and arguments of the other authors included in the issue: Ariella Azoulay, Bonnie Honig, Pamela Katz, Adi Ophir, and Margarethe von Trotta.
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