Abstract
Diana Brydon and Irena Makaryk’s Shakespeare in Canada is a book that anyone interested in Canadian theatre will surely want to own, whether they are interested in Shakespeare or not. This text, which CTR has reviewed in manuscript form, is not only a magisterial history of Shakespeare production in Canada, but a very engaging discussion of the history of Canadian theatre institutions and audiences in their evolution from eighteenth-century garrison entertainments to contemporary questionings of cultural colonialism and institutional policies.
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