Abstract

The filmmaker Adams Sie has crafted a unique filmography in contemporary Senegalese cinema as he has cobbled together a career through festival-submitted shorts, industry films for NGOs, and a reality television series. His process for procuring funding and production support exemplifies the difficult financial situation that many Senegalese filmmakers must face when working in the country. However, his films also demonstrate a cinematic sensibility that, when viewed alongside his funding and production strategies, offers a path of sustainability for up-and-coming cineastes in Senegal. Producing films that are generically documentaries, but that incorporate a highly subjective, personalized point of view, and that focus on subjects that are pulled from the specificity of Senegalese culture and society, Sie reimagines Senegalese cinema as a cultural product that can speak directly to the country’s citizenry to transform Senegalese society.

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