Abstract

Abstract This book argues that Cold War struggles against “subversion” must be understood in cultural terms, as a reaction to the consequences—both real and perceived—of modernization. Inscribing Brazil’s Cold War military rulers and their supporters into a decades-long trajectory of right-wing activism and ideology, and locating them in a transnational network of right-wing cultural warriors, the book demonstrates that anti-modern moral panic animated powerful, hard-line elements of Brazil’s countersubversive dictatorship (1964-1985). This moral panic conflated communist subversion with the accoutrement of modernity, and coalesced around the crucial nodes of gender and sexuality, particularly in relation to “modern” youth, women, and mass media. Transformations in these realms were anathema to the Right, who echoed the anxieties of generations past, pathologizing and sexualizing these phenomena, and identifying in them a “crisis of modernity” and of communist subversion. Hence the Cold War became more than a military struggle against rural guerrillas and urban terrorists; from the perspective of key activists and technocrats, the battle must be waged across sexual and bodily practice, clothing, music, art, mass media, and gender. Addressing historiographical neglect of the Right in Brazil and beyond, the book culturally historicizes the Western Cold War in a transnational sense by uncovering Atlantic networks of right-wing activism that validated anti-modern and anticommunist anxieties. These networks included Brazilian, European, and North Atlantic anticommunists, from the famous to those whose stars waned after the Cold War.

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