Abstract
This articles considers how seven dramatists have treated sectarian tension in Northern Irish society in plays written during the last seventy years. Although the emphasis is on Protestant attitudes in particular, the implications of sectarianism for the community as a whole are shown. Attention is given to the different dramatic methods used by the playwrights in their representation of the fears, insecurities and ignorance that lie behind sectarian behaviour. The writers discussed include Gerald Macnamara, St John Ervine, Sam Thompson, John Boyd, Stewart Parker, Christina Reid and Frank McGuinness.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.