Abstract
It is difficult not to respond pleasurably to the beautiful contours of a Cole Porter melody; the songs, with their witty and poignant lyrics, have enchanted of Americans and Europeans as reflected in a performance tradition now decades old. But, judging by the number of published works on the song writer, scholars have not analyzed the songs of Porter to the same degree as European art songs. Perhaps this lack reflects the persistent attitude of the generations of musicians to which Arnold Schoenberg refers in his provocative comments on American music-comments that are still timely:
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