Abstract
This article argues that law is a central character and subject in David Foster Wallace’s unfinished, metafictional novel, The Pale King. As a subject of the novel, the so-called author disclaims this legal character, while also subjecting himself to it, which provides this text with its extra-textual and metafictional aspects. These aspects raise unanswerable questions, like ‘who is the author?’ and ‘is it finished?’ In showing that the ‘Pale King’ is the legal character, this article contends that The Pale King is a meditation on legal subjection that also, importantly and didactically, demands that readers performativity engage in processes of legal subjection.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.