Abstract

This article explores experimental approaches to the representation of space and place in anthropology. Drawing on examples from the history of visual anthropology, it will show how (implicit or explicit) anthropological conceptions of space are inscribed in the construction of cinematic space in ethnographic films. Drawing on examples by Wilma Kiener and Aryo Danusiri, the article tests the idea that the practices of contemporary experimental film and video art might propose new possibilities for conveying the complexity of transnational connections in today’s globalized world. By introducing a recent video installation by the author, it then discusses how the actual material environment of an exhibition space may be creatively used to map the new spatial formations that migration as a social movement has brought about. Hence, the article argues for an understanding of the role of the anthropologist as a designer of ‘activated spaces’ (Mondloch 2010) that disrupt habitual viewing conventions.

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