Abstract
Introduction: beyond Shakespeare: the contemporary Jacobean film 1. Derek Jarman's queer contemporary Jacobean aesthetic: Caravaggio and Edward II 2. The preposterous contemporary Jacobean film: Peter Greenaway's Cook, heritage Shakespeare and sexual exploitation in Mike Figgis's Hotel 3. Third cinema, urban regeneration and heritage Shakespeare in Alex Cox's Revengers Tragedy 4. Early modern performance and digital media: remediation and the evolving archival canon 5. Bend it like Nagra: mainstreaming The Changeling in Sarah Harding's Compulsion Conclusion: early modern dramatists on twenty-first-century screens Appendix 1. Chronological list of surviving film adaptations Appendix 2. Annotated filmography: early modern drama on screen, 1926-2012.
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