Abstract
No abstract availableThis editorial was originally published by Parallel Press, an imprint of the University of Wisconsin-Madison Libraries, as part of The International Journal of Screendance, Volume 1 (2010), Parallel Press. It is made available here with the kind permission of Parallel Press.
Highlights
It is with great pleasure that we introduce this first edition of The International Journal of Screendance, and share some thoughts about its intentions and parameters
It is an initiative undertaken by an international group of practitioners, researchers, and activists engaged with screendance, who wish to establish a forum for debate for all those interested in the intersection of dance and the moving image
The International Journal of Screendance is hosted by the University of Wisconsin– Madison under the Parallel Press imprint and will be available in both digital and printed form
Summary
It is with great pleasure that we introduce this first edition of The International Journal of Screendance, and share some thoughts about its intentions and parameters. We aim to reframe screendance as a form of research that examines the interrelationships of composition, choreographic language, and meanings of body, movement, space, and time; this is done in the context of contemporary cultural debates about artistic agency, practice as theory, and interdisciplinarity.
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