Abstract

ABSTRACT In light of the increased commercial awareness of fangirl culture in the last decade, this article critically analyses three books written by prominent woman music and culture journalists: Fangirls by Hannah Ewens (2019), Larger Than Life by Maria Sherman (2020), and Everything I Need I Get From You by Kaitlyn Tiffany (2022). Examining book content as well as promotional author interviews in the music press, I explore themes of legitimacy, emotionality, and academic capital, and consider how authors re-position both fangirls and themselves as “knowledgeable” within participatory music culture.

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