Screaming bloody murder in the Andes: making race and white noise in a colonial text

Abstract

ABSTRACT Colonial control is studied through a narrative sound designed to entomb a black woman’s voice under noise. Interpreting Charles Marie de La Condamine’s 1746 letter, recounting the murder of a colleague during his scientific travels through Cuenca, involves mapping the effort to quell the scandalous scream of an enslaved woman who spoke up against the traveller and went unpunished. The text is read for the concatenation of sounds that follow her scream and the way these accrue into white, order-restoring noise at the hands of the author. However, simultaneously tracking how this defiant sound travels and is inscribed through layers of noise underscores the limits of such attempts to erase a racialised voice. Examining this tangential episode in an Andean town within La Condamine’s larger Geodesic Mission (1735–45) introduces narrative silencing to the study of noise-making, wherein race thwarts the act of writing to regulate sounds during colonial encounters.