Abstract
Does the world need another edited collection on the Irish rock band, U2? Maybe not. After all, the band have gained enough commercial success and garnered enough attention already. They have received so much visibility that it has gone to their collective rock star heads. Bono, the band’s lead singer and, arguably, the biggest ego of the group, has used (and perhaps abused) his cultural capital to mingle with those with political capital (not to mention monetary capital) to try to affect cha...
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