Abstract
Motion picture engineers will understand better perhaps than electrical engineers the necessity for what has been termed “dubbing.” The entire realm of trick photography and duping as a necessary adjunct to editing of the silent motion picture now has its counterpart in sound production in this process. Dubbing may be subdivided and classified as follows: (1) “Scoring,” or adding music to a picture that may or may not already have dialogue or sound; (2) “Synchronizing,” or adding new sound effects or dialogue in synchronism with a picture which has previously been photographed with or without sound. (3) “Re-recording,” or transferring a film or disc record to a new film or disc record by the electrical process originally used.
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