Abstract
In 1993, the film Schindler's List provided what many commentators took to be simile and many others metaphor for the violence in Bosnia. The cinematic version of Thomas Keneally's 1982 book on the holocaust of the Jews of Cracow seemed to emblematize the horror of the "ethnic cleansing" of Muslims from northern and eastern Bosnia in the summer of 1992 and thereafter, complete with wretched people in cattle cars and "concentration camps" with starving prisoners.
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