Abstract
ABSTRACT Following every major meal in the Topkapı Palace, Istanbul, the sultan was incensed with amber and aloewood, and every evening, an amber-and-aloewood-scented candle perfumed his bedroom, according to page-boy Albert Bobovi’s seventeenth-century account of everyday life. Talikizade’s Şehname (ca. 1596–1600) shows Süleyman the Magnificent seated with his son in his library, next to a censer emitting tendrils of smoke. Approximately sixty such censers are preserved in the Topkapı Palace Museum today. Taking as a vantage point this rich textual, pictorial and material evidence, this essay examines olfactory practices and objects employed in the imperial residence. Against the background of the Topkapı Palace’s sensescape and Islamic and Ottoman traditions in general, we discuss the prominent examples of five incense burners and three rosewater sprinklers of varying material and date, in order to arrive at conclusions about the objects’ form, function, and symbolic role in contributing to cleanliness, sacrality, as well as imperial and elite culture.
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