Abstract
This paper is aimed to think about a kind of research in arts that congregate specific thoughts from the scene without considering it as part of the research field. As a reference, we will take conceptua- lizations about practices from a theoretical setting that establishes the idea of resistance to locate the continuance of the specific discourses intrinsic to the praxis area. The work focuses on the thick discourses of a constellation of artists acknowledged as an enabling agent of a kind of resistance in Argentine Theatre. Its specificity relies mostly on conside- ring the performing body as a domain that faces the homogenizing and hegemonic order within scenic practices.
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