Abstract

With a point of departure in Western Marxism’s idea of art’s ability to contribute to radical social transformation this article analyses the relationship between the current neoliberal hegemony and contemporary art, especially relational aesthetics and interventionist art, in the guise of a more solution‐orientated approach and the tactical media approach. Although the artistic practices associated with these designations contain interesting capabilities the article argues that they remain firmly within the already established horizon of small‐scale adjustments instead of radical transformation. In that regard they do not challenge the neoliberal discourse but only confirm the idea of TINA (‘there is no alternative’).

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call