Abstract
American sociologists working in the production perspective have produced a rich body of work on systems of aesthetic-cultural production, distribution, and consumption, but they have paid relatively little attention to the work of art. Aligning with new sociological work that takes the work of art seriously, this article contributes to an aesthetically inflected sociology of the arts: research that includes the work of art as an integral part of the analysis. Substantively, we examine a 19th-century scandal surrounding paintings of nudes. We show that the work of art constitutes crucial evidence for understanding arts scandals. Artworks are connected with social and aesthetic issues by means of their pictorial elements, which are viewed by a public through historically situated ‘period eyes’. Each of these elements is needed to spark an arts controversy, and all must be studied in order to understand them.
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