Abstract

The criteria for design of an organ flue pipe rank, properly balanced and coherent in power and harmonic development, are discussed in terms of present understanding of the sound production process. A scaling with pipe diameter D proportional to ν1−x, where ν1 is pipe fundamental frequency and x = 0.83, is found to give approximately constant harmonic development across the rank but too much loudness in the bass. The traditional scaling rule with x = 0.75 nearly equalizes the loudness and increases harmonic development towards the bass of the rank. Similar criteria applied to the string choirs of harpsichords, in which decay time must be considered as well, lead to scaling rules which increase wire diameter and move the plucking point progressively towards the end of the string in the bass. The relations between the two types of scaling rule are discussed.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.