Abstract
ABSTRACTBy focusing on the work of lecturing – a practice not often considered within literary studies – this essay makes an argument for how Auden’s public speaking during the WWII period impacts and alters his poetry. I show how Auden’s anxieties regarding his proximity to political rhetoric of this period compels him to revise his method of public speech, first by making him shift to lecturing within an academic context, and second by having him turn to the indirect speech that inheres in allegory. Auden incorporates this allegorical mode of speaking, which he develops in his poem, ‘The Sea and the Mirror’, into his lectures for his postwar course on Shakespeare at the New School for Social Research.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
