Abstract
Abstract: Saul Bellow’s “Gothic Ontology: The Victim and More Die of Heartbreak ” examines the different types of Gothic employed by Saul Bellow in The Victim (1947) and More Die of Heartbreak (1987). The article argues that in The Victim Gothic doubling becomes erased by an idea of hospitality which challenges the status of the Gothic “other.” This is contrasted with More Die of Heartbreak where the Gothic is used in order to critically read the psychological and emotional damage caused by a materialist culture. The article explores Bellow’s complex engagement with the Gothic and examines how he employs the Gothic to raise questions about ontology and materialism.
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