Abstract
Drama is a ubiquitous and cross-cultural phenomenon rooted in the concept of theatrics, where a designated environment is established for the manifestation of dramatic occurrences. The origins of drama and theatre can be traced back to religious ceremonies, choral odes, and ceremonial gatherings, as well as historical pageantry. Through the medium of drama, social change can be actively influenced and public consciousness regarding societal matters can be heightened. The collective arts, such as theatre and drama, hold significant value as they epitomize social cooperation and foster a sense of community among individuals. By emphasizing the necessity of considering the needs and perspectives of others, theatre and drama serve as powerful mediums for promoting social empathy and understanding. This research, which is part of a series looking at Saudi theatre and drama, aimed to offer insight into the beginnings, challenges, and evolution of Saudi play. This study contributes to the field of Saudi drama by conducting a critical assessment and analysis of the social comedy "From Under the Chairs", a play that has not been previously examined in this manner. The play serves as a representative example of the cultural landscape of the 1980s, which marked a pivotal era in the development of Saudi drama. By exploring the originality and significance of this play, this study sheds light on the evolution of Saudi theatre during this transformative period. An analytical and critical approach was used in the analysis. Following a concise introduction, the study delved into important literary issues like the contribution of Saudi television to dramatic activities. After that, it discussed and examined the nature of a Saudi play, "From Under the Chairs" by Ahmad Ad-Dubaikhi, as an illustration of comic social drama in Saudi Arabia. After this main part of the study, it reached a brief discussion and conclusion.
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