Abstract
As well as being a cultural product itself, literature provides a means for the critical interrogation of the processes of cultural production and consumption in class-structured capitalist society. Realist narrative, utopian speculation and dystopian conjecture have all been used to good effect. So, too, have satire and fable, and these come together in a neglected and largely forgotten novel from 1939, Impromptu in Moribundia,1 written by the bourgeois Marxist Patrick Hamilton. Though dated in many ways, and clearly rooted in a particular social and political context, this fabulous tale, nevertheless, retains interest for those wishing to critique the production of the bourgeois cultural worldview.2
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