Abstract

In her role as “the Piute Princess,” both onstage and in local and national political theaters, Sarah Winnemucca would present herself as the first feminine leader of the diverse bands of the Northern Paiutes. Sarah Winnemucca’s self-fashioning as a Paiute leader, language translator, military negotiator, political mediator, stage performer, literary author, and educator is well known, and yet she is rarely acknowledged for the extraordinary diversity of her different roles. "Life among the Piutes: Their Wrongs and Claims" (1883) is far more than simply an appeal for political recognition of and economic aid to the Northern Paiutes; the book legitimates Sarah Winnemucca’s authority to speak both for her tribal community and to U.S. federal leaders. Yet in fabricating a “nation” from the scattered bands of the Northern Paiutes and in her own role as their hereditary leader, Sarah Winnemucca exemplifies a central problem of transnationalism and its study in the national period. By constituting her own community as a nation, which might negotiate with the U.S. government and military, she helps legitimate national values, including legal and property rights that would have devastating consequences for Indigenous people under the provisions of the Dawes Act (1887).

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