Sarah Mackenzie. Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization

Abstract

In Indigenous Women’s Theatre in Canada: A Mechanism of Decolonization, Sarah MacKenzie centres the early work of Indigenous female playwrights Monique Mojica, Marie Clements, and Yvette Nolan. She convincingly argues that they stage acts of dramatic subversion that challenge violent colonial misrepresentations of Indigenous women and envision a decolonized future.