Abstract
Sarah Daniels is a playwright who has been closely identified with feminist theatre throughout her career. In this article, Carina Bartleet examines Daniels's plays from the early work of the 1980s through to her more recent output by exploring lesbian representation. Emphasis is placed on lesbian/queer representations through renegotiation with feminist theatre and gendered spectatorship. The work argues that Daniels's oftcriticized reluctance to stage lesbian desire can be viewed as a continuation of her feminist intervention into the gendered construction of the gaze in mainstream theatre. Carina Bartleet is a Lecturer in Drama at Oxford Brookes University. She read Biological Sciences at Oxford University, taking her PhD in Drama at Exeter on the intertextual dimension of the plays of Sarah Daniels. Her interests are science, gender, and performance in contemporary theatre. She is currently working on a book on theatre and science, and has published articles in Modern Drama and Studies in Theatre and Performance.
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