Samuel Wesley and the Missa De Spiritu Sancto

Abstract

A good deal of attention has been paid in recent years to the relationships between Methodists and Catholics in England in the eighteenth century and, in particular, to John Wesley’s own dealings with Catholics and Catholicism. This article examines a link with Catholicism at the very heart of Methodism’s first family: the involvement of Samuel Wesley (1766–1837), the younger of the two musician sons of Charles Wesley, and the nephew of John. As will be seen below, Wesley converted in 1784, marking the occasion by composing an elaborate setting of the Ordinary of the Mass (the Missa de Spiritu Sancto) which he sent to Pope Pius VI. This article discusses the background to the composition of the Mass, its musical content, and the subsequent history of its autograph score. It is prompted by the publication of a performing edition of the work and by a subsequent performance (almost certainly the world première) in St Patrick’s Cathedral, Dublin, on 10 September 1997, which was recorded and later broadcast on both Irish and British radio.