Abstract

Samuel Johnson's dislike of Jonathan Swift has provoked a continuing interest among scholars and critics. Commentators on the subject have described the attitude as an inherent prejudice and have questioned its possible causes. From James Boswell's repeated comments that Johnson apparently had an unaccountable prejudice against Swift and his pointed question to discover the source (“I once took the liberty to ask him, if Swift had personally offended him, and he told me, he had not”) to Walter Raleigh's facile summation that an essential difference in their characters separated them, speculation has been persistent, if not always rewarding. Perhaps the final statement of explanation is set forth in W. B. C. Watkins's essay, “Vive la bagatelle,” where Watkins maintains that though Johnson had “a residue of sheer, inexplicable prejudice” against Swift, much that appears prejudice can be made understandable. That understanding comes largely from Watkins's well-documented theory that Johnson and Swift were more alike than different: “Curiously, his antagonism is intensified by certain similarities between the two men in circumstance and personality.” Watkins's theory convincingly explains the source of a behavioral trait clearly revealed in Boswell's record of Johnson's conversation.Yet the character of Johnson's biography of Swift has its own peculiar problem. Most of Johnson's attacks on Swift came at impromptu moments when conversation led Johnson to lash out hastily at the Dean. Boswell indicates that Johnson's behavior was habitual: “He attacked Swift, as he used to do upon all occasions.” Watkins explains this in part by referring to Johnson's belief that Swift was overpraised; thus Johnson voiced his irritation whenever excessive acclaim prompted a reply.

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