Abstract

Introduction 1. Surrealism and Sam Shepard's Early Plays: 1964 1967 2. Myth, Ritual and a Search for Selfhood: Surrealism in Sam Shepard's Plays from 1969 to 1972 3. Sam Shepard's Family Plays and the Representation of Gender 4. A Comparative Study of Sam Shepard's Angel City (1976) and Luis Bunuel's and Salvador Dali's Un chien andal ou (1929) 5. Tongues (1978), Savage/Love (1979) and The War in Heaven: Angel's Monologu e (1985): Joseph Chaikin and Sam Shepard in Collaboration 6. States of Shock (1991) and Simpatico (1994): Performances of Waste 7. Conclusion: Through the 1990s and Beyond

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