Saint Sebastian: the martyr from Milan in post-Byzantine wall-paintings of the sixteenth and seventeenth centuries and the influences from Western painting

Abstract

AbstractSt Sebastian entered the thematic repertoire of post-Byzantine mural painting from the West in the sixteenth and seventeenth centuries. Two main iconographic types are encountered in post-Byzantine wall-paintings, both of them popular in Western art: The Ordeal of the Arrows and St Sebastian after the Martyrdom. The influences of Italian models on the iconography are obvious. Nonetheless, the loans from Western iconography and Renaissance art concern a limited number of scenes and subjects, because the post-Byzantine painters tried to renew painting within the framework of Orthodox tradition and its doctrinal content.