Abstract
Abstract Abstract. This article examines the construction of gender roles in contemporary white nationalist music. Grounded in extensive and ethnographic fieldwork, the article traces the rise of leading Swedish singer Saga and argues that her music frames women as besieged embodiments of racial and national essence dependent on men for deliverance. The discussion of Saga’s music draws from a review of recent social and ideological shifts in radical white nationalism, insider interviews, performance observations, and structural and textual analyses.
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