SACREDLY MARKED LANGUAGE UNITS IN THE POETIC DISCOURSE OF THE SECOND HALF OF THE ХХ CENTURY

Abstract

The article is devoted to the consideration of sacredly marked language units (words and expressions) as components of the dictionary of the Ukrainian poetic language of the second half of the twentieth century. In the context of understanding the traditions of national artistic formation and text creation, they testify to the library-centric linguistic thinking of the authors, the rootedness of their creative consciousness in Christian linguistic culture. The stylistic functionality of several types of nominations is considered, which in poetic discourse reflect the linguistic practice of the religious sphere and form several main lexical and thematic groups: “names of saints”, “names of biblical characters”, “names of sacred books and their parts”, “names of religious rites”. and sacraments”,”names of religious buildings and their parts”, “names of religious objects”,”names of religious holidays”. It is emphasized that in the analyzed poetic texts the components of these lexical and thematic groups are presented with different intensity. The common tendency towards them is the preservation of the high stylistic tone implicitly inherent in them, the positive evaluation. The conducted research testifies to the stability of the tradition of using sacredly marked images and expressions in the national artistic discourse, which reflect the linguistic practice of the religious sphere. In the poetic language of the second half of the twentieth century, these units retain their implicit high stylistic tone, positive value and form a powerful layer of the national poetic dictionary.