Abstract
The writings of Philip Rieff present a challenge to the social sciences along three fronts: the nature of theorizing, the meaning of ‘culture’, and the sources of social order. Here I outline the main themes of his life’s work, including the ‘sacred sociology’ that he announced in his later writings. I suggest that the broad cultural diagnosis that he had developed by the 1960s remains pertinent today, but that his more detailed substantive statements — particularly about art, science, politics and sexuality — are of mixed quality; the reason for this is that, while Rieff developed a very clear view of the meaning and purpose of theorizing, his methods of cultural analysis were less well thought through, and his work haunted by a series of ambivalences that he never resolved, notably between the demands of the critical and the affirmative intellect, and between credal and psychological Jewishness.
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