Sacred Rubble and Humble Shelters: German Church Building after the Second World War

Abstract

Abstract This article centres on the cultural politics behind the feverish construction of new houses of worship in West Germany, as well as the restoration of damaged cathedrals and churches, in the first two decades after 1945. At issue is how and why ecclesiastical architecture took on heightened cultural significance at the time, attracting a star-studded group of international architects. After the war, church-building resumed its leading historical role from before the Industrial Revolution as the avant-garde of innovative international architecture, although its comeback has been largely overlooked by architectural and cultural historians alike. While these changes reflected broader international trends, the German situation took on special significance in light of the Nazi legacy of defeat, destruction and dislocation, as well as the pressing need to fabricate new churches for survivors and the millions of expellees arriving in western Germany. Discussions of ecclesiastical architecture therefore touched on broader issues of German history, identity and Christian renewal, and the very form of these houses of worship reflected a unique blend of avant-garde architecture and Christian theology in the aftermath of war.