Abstract
In the wake of Christian missionaries’ arrival in India, a profound engagement with Sanskrit ensued, resulting in the emergence of ‘Church Sanskrit’ Literature. This genre not only witnessed translations of sacred texts like the Bible but also spawned original compositions centered on Jesus Christ, serving as a vehicle for propagating the Christian faith among the Sanskrit-knowing intelligentsia. Notably, figures like William Hodge Mill played a pivotal role, crafting monumental works such as the Śrīkhṛṣṭa-saṃgītā, which garnered acclaim for its literary and scholarly merits, transcending even revered indologists of the time. His mastery of Sanskrit reached such extraordinary heights that Kamlākānta Vidyālaṅkār, a prominent Bengali scholar, bestowed upon him unprecedented praise, elevating him above esteemed figures like William Jones, William Carey, and James Colebrooke. Vidyālaṅkār’s proclamation likened him to the rebirth of Kālidāsa, the revered ancient poet, affirming the unparalleled excellence of his Sanskrit scholarship. Meanwhile, the Śrīkhṛṣṭa-saṃgītā, while serving as a historical testament to the life of Jesus Christ, transcends mere documentation. Rooted in Western interpretations of the Gospels, it stands as a literary masterpiece, blending historical narrative with artistic expression in a manner reminiscent of the belletristic tradition. The research paper discusses the unique attributes of the Śrīkhṛṣṭa-saṃgītā through the lens of Sanskrit Poetics, exploring its historical narrative while elucidating its impact on nineteenth-century Indian society. Through meticulous analysis, it seeks to unravel the interplay between literary artistry and historical accuracy in this seminal work, shedding light on the cultural and intellectual landscape shaped by ‘Church Sanskrit’ literature. By synthesizing scholarly inquiry with linguistic and literary expertise, this paper aims to contribute to a deeper understanding of the profound influence of Christian narratives in Sanskrit form on the socio-cultural fabric of colonial India.
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