Russian World in Yakut Heroic Epic Olonkho

Abstract

This article evaluates the impact of Russian culture on the Yakut epic, Olonkho. The emergence and evolution of the Russian character in Olonkho are analyzed. Texts from various local traditions and time periods of Olonkho serve as the research material. The study employs a historical poetics approach, showcasing the evolution and changes in the portrayal of the Russian character in Yakut epic texts, considering the territorial and temporal differences in the texts and the individual characteristics of storytellers. It is determined that the semantics of this character transform from “foreign” to “native”. The Russian character in Yakut heroic epic texts initially appears through epic formulas, comparisons, and epithets, manifesting foreignness and alienation. Subsequently, the Russian individual becomes a character participating in the Olonkho plot. A transition from “foreign” to “different,” “other” is observed: intermediary zones (the meeting place of heaven and earth, forests, mountains) start resembling objects belonging to Russians. When Russian material culture aligned with the life and customs of the Yakuts, objects adopted from Russians began resembling parts of the main hero’s (bogatyr) body, vividly demonstrating the incorporation of the Russian character into the category of “ours.” References to certain realities of Orthodox Christianity are also made in Olonkho. Images of Baba Yaga, Zmey Gorynych, the forest spirit, motifs of path selection are borrowed from Russian fairy tales and myths. Russian names, names of Russian cities and places, among others, are mentioned.