Russian Shrovetide as an art dominant of the opera libretto "The Power of the Fiend" by Alexander Ostrovsky

Abstract

Artistic features of libretto of the opera "The Power of the Fiend" by Alexander Ostrovsky are considered in the article. Value of genre and ceremonial scenes in either semantic and subject or composite structure of the opera scenario is defi ned in it, features of poetics of the latter come to light. The attention of authors is paid to specifi cs of the main action ("the family drama") and to the nature of Shrovetide festivity scenes connected with the plot. It is noted how Alexander Ostrovsky gradually expands scenic space, creates bright crowd scenes with participation of the people and also the Choir which acts on behalf of Shrovetide in the libretto. Authors of the work emphasise the dual nature of Shrovetide as a peculiar Russian carnival that fi nds refl ection in the ditty "Celebrating Shrovetide Grandly" sung by Yeryomka and, in the fourth act, represents the culmination of a national holiday. Clarifi cation of the reasons of disagreements between Alexander Serov, the composer, and the playwright is an important point as the latter refused cooperation with the former. In this regard, problem of authorship of the fourth act of the libretto is put forward, the conclusion about undoubted participation of the playwright in its creation is drawn. Keywords: Alexander Ostrovsky's creative work, libretto, opera, drama, Russian Shrovetide, folkish song, authorship problem.