Abstract
Introduction, Roger Anderson and Paul Debreczeny Romantic Landscape in Early 19th-Century Russian Art and Literature, James West Country House as Setting and Symbol in 19th-Century Literature and Art, Priscilla Reynold Roosevelt Montage in Gogol's Dead Souls - View from the Bachelor's Carriage, Gary Cox Optics of Narration - Visual Composition in Crime and Punishment, Roger Anderson Chekhov's Use of Impressionism in The House with the Mansard, Paul Debreczeny Composed of Valentin Serov, Alison Hilton Modernist Poetics of Grief in the Wartime Works of Tsvetaeva, Filonov and Kollwitz, Antonina Filonov Gove Ironic Vision as an Aesthetics of Displaced Truth in M. Bulgakov's Master and Margarita, Juliette R. Stapanian-Apkarian.
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