Abstract
ABSTRACTThis essay revisits My Best Friend’s Wedding (Hogan, 1997) 19 years later. It compares its way of combining laughter and tears with 2 genres of literature: Marivaux’s (1964) 18th-century comic theatre and the 19th-century novel of adultery, with its overtones of classical tragedy. In each, an outsider observes, envies, and seeks to destroy a “happy couple”: the 2 genres end, respectively, in a wedding or in death. How do 3 women view this film, and its ending, in 2016?
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