Abstract
By drawing on current definitions of testimonial witnessing, this study returns to the attacks of September 11th to explore how two 9/11 poems, “First Writing Since (Poem on Crisis of Terror)” by Suheir Hammad and “Alabanza: In Praise of the Local 100” by Martin Espada, challenge the pervasive patriotism of mainstream journalism through acts of transcultural counterwitnessing. I explore how these 9/11 poems oppose, and engage with, pervasive patriotism, and emphasize the value of transcultural poetry in the face of extreme violence. The notion of the transcultural counterwitness has the potential to redefine how third-party witnesses, like poets, provide new understandings of historical responsibility and national identity in the American imagination.
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