Abstract

In the social stratification created by the Dutch colonial government, Chinese community in the Netherlands Indies occupied the second place, after Europeans. They live scattered in various cities, one of them is Surabaya. In this city they also settled in the second place after the indigenes in terms of numbers. Tan Tjwan Bie, one of them, was known as the founder of Kebon Agung sugar factory in Malang. With the financial ability, he was able to hire Cosman Citroen, one of the leading architects in the Netherlands Indies, and Gerard Pieter Adolfs, an internationally reputed painter, to design his mansion, as well as a prominent contractor of Nedam appointed to build it until its completion in 1928. At that time, modern architecture was growing rapidly. As a collaborative work of various prominent parties with different backgrounds, this building is worthy of being examined in its architectural style. This paper aims to identify the extent of the influence of modern architecture on this mansion. This study used a combination method of historical, qualitative descriptive, and graphics methods. The result shows that various styles of modern architecture which were popular at the time could be found in the design of his mansion.

Highlights

  • In the social stratification created by the Dutch colonial government, Chinese community in the Netherlands Indies occupied the second place, after Europeans

  • This paper aims to identify the extent of the influence of modern architecture on this mansion

  • A Study of Architect Cosman Citroen (1881-1935) and His Works in Surabaya

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Summary

Pendahuluan

Komunitas Tionghoa menempati posisi kedua, setelah pribumi, dalam komposisi penduduk di Surabaya selama kurun waktu 1921-1930 (Statistiek, 1931). Kondisi ini merupakan penerapan apa yang disebut sebagai Wijkenstelsel (Sistem Distrik), yaitu suatu aturan yang menetapkan wilayah permukiman Tionghoa (Pecinan) atau permukiman penduduk non pribumi lain yang besar (dalam hal jumlah) di berbagai kota-kota besar di Hindia Belanda. Arsitek yang merancang rumah ini, yaitu Cosman Citroen (1881-1935), merupakan sosok arsitek yang sudah dikenal di Surabaya dan cakap dalam berbagai hal (versatile) desain dengan beragam proyek-proyeknya, mulai dari perabot hingga tata ruang kota, dan dari desain arsitektural hingga konstruksi sipil (Santoso, 2010). Yaitu kontraktor bangunan Nederlandse Aannemingsmaatschappij (Nedam) mampu mewujudkan desain yang dibuat oleh Citroen dan Adolfs menjadi salah satu karya terbaiknya dan diselesaikan pembangunannya pada tahun 1928. Sebagai karya arsitektural hasil kolaborasi dari berbagai pihak yang menonjol dan berbeda latar belakangnya, rumah ini menjadi sangat layak dan menarik untuk diteliti. Muncul pertanyaan langgam arsitektural apakah yang dipakai pada desain rumah ini? Bagian-bagian arsitektural mana saja yang mendapat pengaruh langgam-langgam tersebut? Adakah tokoh-tokoh tertentu yang mempengaruhi desain yang dibuat oleh Citroen dan Adolfs?

Bahan dan Metode
Tata Massa
Tata Ruang
Simpulan
Full Text
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