Abstract
This article problematizes the interdisciplinary project Musica Posthumana in the context of Ka-ren Barad’s philosophy of agential realism. Using selected terminology proposed by the philoso-pher, the creators of the project describe the process of permeating the agency of the phenomena that comprise it and include reflection on the agency of non-human elements in the creative pro-cess. The motion capture technology used in the project will be analyzed through the prism of a research tool as understood by Karen Barad. Its status will be expanded from creating representa-tions to actively making sense and participating in the process of materializing relationships and meanings. The interlacing agency of the project’s sound, motion, and technological phenomena will be presented and described through intra-actions. The onto-epistemological status of the body in the technological environment will also be discussed. Key-words: agential realism, motion capture, Musica Posthumana, intra-actions, sound, dance, technology
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
