Abstract

Following on from a roundtable discussion that took place at the 2013 Conference of the Irish Society of Theatre Research at the University of London, Birkbeck, this essay presents reflections on the developments in scholarship on twentieth-century Irish theatre and possible new directions or approaches to the subject by four eminent theatre scholars: Rhona Trench, Lionel Pilkington, Eamonn Jordan, and Paige Reynolds. The participants were asked to respond to Christopher Murray's influential 1997 publication Twentieth Century Irish Theatre: Mirror up to Nation as a prompt to organize the discussion.

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