Abstract

Understanding of the methods used in carving the stones for the architectural elements and the sculpture of Roquepertuse allows a more correct vision of the technical evolution of the Celto-Ligurian population in the Second Iron Age in the hinterland of Marseilles. It also allows a better estimate of a possible dependance of this indigenous population on specific supplies brought to this area by Greek colonisation. The analysis shows the activities of several stone-cutters who are comparative masters of their profession and use tools that are widespread over the contemporaneous Mediterranean world. The author questions the supposed veracity of the simultaneousness of the productions and the degree of reliability of the reconstructions proposed at present. He also stresses the strong assumption of re-use of the lapidary remains after the destruction of the portico and the sculpture of the monument.

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