Abstract

This article intended to reveal cultural variance from Trilogi Ronggeng Dukuh Paruk by Ahmad Tohari. The existence of Srintil as ronggeng showed peculiarity that can not be found in another areas. This identity showed in ceremonial stages such as bathing procession of ronggeng candidate at Kisecamanggala cemetery before officially as Ronggeng. This ritual start with one round of Ronggeng Dance by Srintil without vulgar wawl and errotic moves. Srintil paraded to the Kisecamanggala cemetery to do the ritual. Next step is, drape opening ceremony as if a competition to fight over the virginity of Ronggeng candidate. Before undergo the ceremony, Srintil must be preconcerted to have an Indang. When Srintil just enter the world of Ronggeng, it is believed that Ronggeng is more respected than stay at home woman. After uncovered that Ronggeng is full of lust, Srintil got neglected especially after 1965 incident. In the end, both Srintil and The Dukuh Paruk wrecked without any second chance to show their pride in the slightest. She was crashed in the middle of ruined Dukuh Paruh grassland. The research used documentation methode for the collecting datas research and inductive analytics as analyzing data methode. Dokumentation analysis is collecting data methode where texs and messages in a document will classified into a relevant coding with research. Keywords: Ronggeng Dukuh Paruk, cultural geography, identity DOI: 10.7176/ADS/95-03 Publication date: September 30 th 2021

Highlights

  • The Ronggeng Dukuh Paruk trilogy, consisting of Ronggeng Dukuh Paruk (1982), Lintang Kemukus Dini Hari (1985) and Jantera Bianglala (1986) written by Ahmad Tohari, are local Javanese colored works such as Gandrung, Tayub, Gambyong, Joged, Teledek and Ketik Tilu

  • And Discussion 3.1 Cultural Geography, Representation and Identity Cultural geography is concerned with understanding the interrelationships between people and places, and is not an attempt to put cultural locations in their proper place

  • Cultural geography discusses how space and place are shaped by – and – shape – the beliefs and values held by the people who inhabit a particular place, which in itself shapes the identity of the community

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Summary

Introduction

The Ronggeng Dukuh Paruk trilogy, consisting of Ronggeng Dukuh Paruk (1982), Lintang Kemukus Dini Hari (1985) and Jantera Bianglala (1986) written by Ahmad Tohari, are local Javanese colored works such as Gandrung, Tayub, Gambyong, Joged, Teledek and Ketik Tilu. The Ronggeng Dukuh Paruk trilogy focuses on a more specific Javanese locale. This novel does not address the Javanese subcultural tradition in general, but instead one of the variants of the Javanese subcultural tradition, namely the Banyumas variant. This element shows the distinctiveness of Ahmad Tohari's local Javanese color. As an interaction space that has been designed in such a way that it involves a pattern of relationship between man and man or people with physical environment. Setting is an interaction space where someone can develop a relationship face to face in the environment

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