Romanticization and Demonization: Galician Landscapes in Russian Combatants’ Narratives During the Great War

Abstract

In terms of environmental history, the First World War represents one of the most significant information gaps of the Anthropocene, where the type of warfare and the fall of empires intensified the destructiveness of the interaction between people and nature, changing the geological and cultural characteristics of Central and Eastern European landscapes. The collision of mass armies with foreign landscapes and militarized natural environments left an indelible stamp on personal accounts of the Great War. The imagery of nature, both as an uncontrollable force and as an object of impact, abounds in a broad diversity of textual and visual sources, which range from official documentation to private correspondence and from propaganda newsreels to personal photographs. It appears that pictures of landscapes destroyed or transformed by war (as well as the related epidemiological and climatic threats) contributed to shaping combatants’ existential experience to the same degree as short military operations. Unlike the universalized experience of the Western Front countries in the available literature on the environmental and spatial history of the First World War, the multiple ways in which mobile belligerent landscapes of the Eastern Front were experienced and perceived are yet to be addressed documentarily as well as methodologically. The article aims to reconstruct the horizons of expectation and environment construction strategies in combatants’ individual narratives and to identify the meaning of belligerent landscapes in the formation of specific behavioral strategies and practices on the Eastern Front of the world’s first industrial war. The analysis of ego-documents (letters, diaries, and memoirs) left by participants of WWI has identified a diversity of models for anthropomorphizing environmental objects and phenomena on the Eastern Front, which range from romanticization to demonization. The author aims to establish the way the perception of belligerent landscapes depends on the cultural baggage, prior experience of warfare, military branch, and the density of contacts with civilians populating the militarized spaces. One of the key messages of this study is the suggestion that the militarised environment’s signification through religious, literary, epidemiological anti-Semitic and other lenses contributed to the normalization of combatants’ mortal terror of war, their negative military experience, mourning, and nostalgia for the lost life-worlds.